Portfolio > Collaboration With a Bird V

Collaboration With a Bird V, #11
Sterling silver, wood altered by a bird, reclaimed Comfy Perch™
4" x 3" x 1" (pendant)
2018
Collaboration with a Bird V, #10
Sterling silver, wood altered by a bird
7" x3" x 1' (pendant)
2017
Collaboration with a Bird V, #9
Sterling silver, wood altered by a bird, reclaimed Comfy Perch™
6" x 4" x 1" (pendant)
2017
Collaboration with a Bird V, #8
Sterling silver, wood altered by a bird
Pendant- 7" x 4" x 1"
2017
Collaboration with a Bird V, #7
Sterling silver, wood altered by a bird, stainless steel
5" x 2.5" x 1"
2017
Collaboration with a Bird V, #6
Sterling silver, wood altered by a bird, stainless steel
4.75" x 2.25" x 1"
2017
CWaB V: Condensation
Sterling silver, reclaimed Comfy Perch™
each link approx. 4" x4" x1"
2016
CWaB V, #4:Condensation
Sterling silver, wood altered by a bird, stainless steel
4" x 6" x1.5"
2016
CWaB V, #3: Condensation
Sterling silver, reclaimed Comfy Perch™
Pendant: 6"x 5.5" x1"
2016
Collaboration With a Bird V, #2
Sterling silver, wood altered by a bird, stainless steel
5" x 3" x 1.5"
2016
Collaboration with a Bird V, #5
Sterling silver, wood altered by a bird, stainless steel
4" x 4.5" x 1.25"
2016

Human identity is rooted in our co/existence with animals.

Through process, material exploration and design, my work explores the ideas of pacification, advantage and disadvantage that, adjacently, resides within all beings.
When displaced from what is intended/natural and stripped of privilege/rights one must find ways of soothing the mind. A captive non-human animal may investigate an unnatural toy, pace or repeatedly chew wood, and a dis-eased human may pace or saw metal. The latest series of wearable objects titled Collaboration with a Bird(CWaB) is reminiscent of toys meant to pacify captive animals. The resulting objects of adornment act as a distraction and tool for introspective thinking for humans. Cast-off materials such as reclaimed perches and wood that have been altered and discarded by a captive bird are placed with sterling silver or gold support structures.

Anthropomorphism and dehumanization have been used throughout history as a way for privileged people of power to place blame, instill fright, disgust or contempt on disadvantaged persons or animals in an attempt to maintain control and diminish guilt.

Through weight, material and form these objects ask the wearer/viewer to question their own relationship to animals and how they choose to co/exist with “others”. By joining disparate materials this work challenges the popular models, misconceptions and superstitions that have led to the death of animals and marginalization of humans.